Scottish singer-songwriter Roseanne Reid has released the second single from her forthcoming new album Lawside. Entitled “All I Need”, Mojo magazine in its album review said of the new track: “Reid’s is a moody, Scots/Appalachian, indie-country croon, often deceptively gruff – as on gently-picked opener “All I Need”, where her delivery simply highlights the depth of feeling: “She don’t ever bring me down/She only thinks she does.”
Commenting on her latest single, Roseanne said: “All I Need” comes from a place of vulnerability, but also acceptance and gratitude. It explores the parts of a personality that stay mainly hidden from the world, opening them up and offering them to the person you trust most to hold”.
Reid’s second album Lawside is out on June 2, via Last Man Music. Named for the area of Dundee in which Roseanne and her family live, the new LP was recorded in Perth with producer, musician and fellow Scot David Macfarlane.
Pre-save here: https://lnk.fu.ga/roseannereid_lawside
In June, Roseanne will join legendary US singer-songwriter Steve Earle as special guest on his UK and Ireland tour and will play three prestigious UK festivals during the summer. Dates are as follows:
On tour with Steve Earle:
June 09 York Opera House
June 10 Whitley Bay Playhouse
June 11 Edinburgh Queen’s Hall
June 17 Birmingham Town Hall
June 19 Buxton Opera House
June 21 Liverpool Philharmonic
June 22 Bristol St Georges Hall
June 25 London Barbican
June 27 Belfast Ulster Hall
June 28 Sligo Knocknarea Arena
June 29 Dublin Vicar Street
June 18 Black Deer
August 19 Folk in The Park
August 25 Long Road Festival
Roseanne Reid’s world has changed in some dramatic ways since she released her hugely acclaimed first album Trails, and not just because of what she calls the “weird dream” of the lockdown years. But those changes have only helped to inform its delightful follow-up, as the widely admired Scottish singer-songwriter invites us to Lawside.
Last summer, Roseanne and her wife became the proud parents of a baby boy, who has, of course, reshaped their lives in the most joyful (and exhausting) ways. Much of the new record was written before he came along, but the maturity and confidence in her song craft and delivery is there for all to hear, from the infectious, horn-laden opening single “Call It Love” to beautiful and tender pieces such as “All I Need,” Shine On” and “Made Just For You.”
“This album just sounds much more self-assured throughout,” she says. “I’ve been a bit bolder with the vocals. With Trails, they were blended a bit more, and this time they’re front and centre. I’d say Trails was perfect for where I was at the time, but with this record, I feel that bit more confident with my voice. It’s gotten stronger over time, and I thought ‘Let’s push that right up front.’”
The album is named after a residential district of Dundee, where the family lives. “Someone said to me the other day that Lawside almost sounds like a country and western title,” jokes Roseanne. “Most of the songs were written here, and it just felt right to mark that, and group them together for where they were written.”
There was another tangible change in the way she created the record. Whereas Trails was made in Brooklyn with producer Teddy Thompson in a lightning five-day burst, Lawside was closer to home in every sense. It was recorded in Perth, just south of Dundee, with producer, musician and fellow Scot David Macfarlane, and in a way that very much suited Reid’s new life.
“Dave owns the studio in Perth, so he’s the engineer there as well,” she explains. “He’s just a multi-talented guy, and a multi-instrumentalist, so he played on the album as well. It’s fantastic to have someone like that just down the road.
“We started it at the tail end of that time when people were still unsure about being in the same room together, and masks were still a thing. So, we did it in segments. I’ve been in the studio a dozen times over the past few months, just layering instruments, and vocals and guitar. All my stuff was done at the very start, to build a foundation.
“It’s been a much more prolonged process, but that’s worked well for me, especially with the wee one. It’s meant I’ve not had to be away for the whole week. I can commit to a half day here and a half day there, so it’s more manageable for family life.” She adds with a laugh: “I just think to myself every day, ‘Where did the day go?! What did I do with my time before I had a kid?’”
What she did, as we know, was build a reputation as one of the most sensitive and original young artists on the roots music scene. Born in Leith and raised in Edinburgh, Roseanne grew up in music, the eldest daughter of the Proclaimers‘ Craig Reid, and was taking her own first artistic steps by the age of 12, when she learned guitar, moving on to early performances at local folk clubs and open mic nights.
“My mum taught me my first three chords, and it went from there,” she recalls. “It was a very smooth transition from the initial thinking of ‘This is cool and I enjoy doing it’ to ‘This is what I want to dedicate myself to.’”
She took inspiration variously from Bob Dylan, Martha Wainwright and Peter, Paul and Mary, pursuing a folk path that led her, in 2014, to New York’s Catskill Mountains, and Camp Copperhead, the songwriting workshop run by another of her guiding lights, Steve Earle. On open mic night, she overcame her nervousness to perform her song “Amy” in front of him, and all the aspiring writers present.
Such is the strength of Earle’s endorsement and enthusiasm for her talent that he readily agreed to duet with Roseanne on another highlight of the Trails album, “Sweet Annie.” That beguiling track has gone on to amass three quarters of a million streams on Spotify alone.
Trails arrived, after two highly promising EPs, in the spring of 2019, and was greeted with wall-to-wall praise. “Roseanne’s voice is sweet yet simple but in the most soothing and beautiful way that makes you want to listen to her over and over again,” enthused Building Our Own Nashville, while Folk Radio wrote that she “has quietly taken her place in the Scottish music scene and by no accident finds herself sitting at the top table.”
RNR magazine complimented Reid on a “measured, confident and accomplished debut” in its 4/5 review and The Sunday Times made Trails one of it’s albums of the year.
Reid supported the album with festival appearances and her own concerts, and further EPs and singles, including the delicate “Hallucinate” at the top of this year, which have heightened anticipation for Lawside. It’s an album that reiterates the sparse authenticity of her songwriting style, but with new depths and layers.
“’Call It Love‘ was the natural choice as the lead track,” she says, “but I’d love to put ‘Mona Lisa’ out as a single. It’s got that Celtic singalong feel to it, with the fiddle and accordion and bodhrán drum, instead of a full drum kit. I started writing it about four years ago, and I went months without finishing it. I really liked the first verse and I said to my wife that I wanted to get it done, so we set aside a day to finish it. So, it’s co- written with my wife, which is totally unique in itself.”
“All I Need” opens the album with atmospheric harmonies from longtime friend and Edinburgh musician Rory Butler. Roseanne is especially proud of the lyrics of “What Constitutes A Sin,” while she was moved to write “Shine On” after the sad passing of television presenter Caroline Flack. “A lot of the songs were around before our baby was born,” she adds, “but ‘Made Just For You’ was definitely written with him in mind.”
Soon will come the challenge of combining family life with hitting the road, but she will achieve that with her usual warm-hearted serenity, and the opportunity to see her perform these new songs live will be something to seize. Lawside is a place that Roseanne Reid’s countless admirers will be visiting again and again.
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